Glinton_MUSI_322

I don't know bout yall, but the level of versatility that many artists display really excites and amazes me. The second chapter of Tour de Force examined various aspects of diversity in English-, Spanish-, Dutch-, and French-speaking nations. But for the purposes of this blog, I'll focus on two examples exclusively in French-speaking Caribbean nations, and to avoid any misconceptions, I'll add a third example to help yall better understand the concept of versatility. Où sont mes français !!!!  Listen, the sky is the limit when it comes to versatility throughout the French-speaking Caribbean countries. Flexibility can be found in musicians, ceremonies, instruments, songs, and many other aspects of their culture. The authors of Tour De Force, Christine Gangelhoff and Cathleen Legrand, describe a few of these varied musicians and their contributions to music. Let's see what they had to say.  The authors assert that the multi-talented Haitian musician Thurgot Theodat, who i

  Versatility in Caribbean Music-English Speaking Countries  Upon reading and analyzing the few examples of adaptability uncovered in chapter one of Tour de Force I have gain a deeper understanding in the subject of versatility. Hence, for the sake of this blog, I'll concentrate on two of those provided examples in order to delve more into the topic of adaptability, particularly in English-speaking Caribbean nations.  Variety can be found in musicians, dance, instruments, songs, and many other aspects of the culture throughout the English-speaking Caribbean. Some of these varied musicians are mentioned in the book Tour De Force by Christine Gangelhoff and Cathleen Legrand, along with their contributions to the music industry. First out da gate representing the 242   is Mr. Christian Justilien.                                                            http://216.92.146.44/Artist/Author/athr%27s_pg.html    Christian Justilien is a man who wears multiple hats he is the leader of the